Copy
We ask for final wording. Names in Hebrew must be pointed if you want nikkud; Latin names must be spelled as they should appear, including accents. A ketubah requires the officiant’s approved text before we touch the case.
Press room
The atelier is a still life that moves: cases opened, rollers inked, sheets hung. Photographs here are records of process, not a showroom catalogue.
The floor
A cylinder proof press for broadsides and ketubah sheets; a smaller platen for cards and plates. Both are iron, both are maintained in the building, and both are too heavy to treat as décor. The imposing stone sits between them. Forms travel from case to galley to chase to bed.
We ink by hand. The smell in the room is linseed, not solvent. Windows stay open when the weather allows; in winter the north light is the only extravagance. Visitors who wish to see a make-ready should write ahead — Friday mornings are short, and Saturday the door is locked.
Tours are not a public programme. A commission in progress is the usual reason to stand at the stone.
Process
We ask for final wording. Names in Hebrew must be pointed if you want nikkud; Latin names must be spelled as they should appear, including accents. A ketubah requires the officiant’s approved text before we touch the case.
A first proof is pulled on the same cotton as the edition, or on a cheaper sheet if the form is still moving. Corrections are made in metal, not in a file. You read the language you commissioned.
The edition is printed, counted, and allowed to dry. Oversheets cover spoilage. The colophon, when the job is a broadside, names the press, the paper, and the year.
The atelier is at 11 Bezalel Street, Jerusalem 9458104. Telephone +972 2 625 3381. The door is open Sunday to Thursday 09:30–17:30 and Friday 09:30–13:00.